Credited as one of the pioneers of ‘harsh noise wall’; influential artist Sam McKinlay (b. 1974, CA)has been operating under the alias The Rita for over 25 years. Having performed extensivelyand credited with over 200 releases, the project has grown into a laser focused multidisciplinary venture and is celebrated for pushing the boundaries of ‘harsh noise’.
Accompanying The Rita’s singular and often unpredictable sonic output is an inseparable and distinct visual language. By combining McKinlay’s fine arts education, research, experimentation, and collaboration; the project visually and texturally unites the artist’s interests in minimalist design, noise, ballet, sharks, choreography, and film.
‘Correlations’ presents some of the images and documents McKinlay finds most definitive in his practice. The monograph is designed to provide a cohesive understanding of the artist’s creative trajectory, as well as illuminate The Rita’s uncanny process that visually, conceptually, and historically ‘connects’ seemingly unrelated subjects.
Published by Amaya Productions and curated by Andrea Stillacci; the monograph includes essays by the art historian and Centre Pompidou curatorNicolas Ballet (‘Shock Factory: The Visual Culture of Industrial Music’), associate Professor and harsh noise artist Lexi Turner (Cornell University), and author, writer, producer Kier-La Janisse (‘House of Psychotic Women’).
‘Correlations’is 9.5” x 12.25”, 200 pages, full color offset, edge painted ‘ballerina pink’, hardcover wrap with debossed cover text. Printed by Graphius (Gent, BELG).
ELECTRONIC RESISTANCE (Incl. Limited Signed Print)
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(Signed and embossed risograph print limited to 250)
Since the late 1970s,Nigel Ayers(b. 1957, UK) has cut a bracing, subversive path through the contemporary underground, bridging DIY industrial enthusiasms with multimedia experimentation to form a singular body of work. Co-founder of the groupsThe PumpandNocturnal Emissions(along with brotherDaniel Ayersand then-partnerCaroline Kaye), Ayers has been a contributor to and proponent of industrial music’s high-water marks, his Sterile Records imprint disseminating not only NE sides but also defining work fromLustmord,SPK,Maurizio Bianchi, and others between 1979 and 1986. In 1987, Ayers inaugurated the Earthly Delights label with the now-canonicalCaroline KrecordingNow Wait For Last Year, and the imprint has since served as Ayers’s primary outlet for releasing new work, whether as Magnetizdat, Spanner Thru Ma Beatbox, or Nocturnal Emissions, a going concern to this day.
Published, designed, and produced by Ross Waitman and Amaya Productions in collaboration with the artist,ELECTRONIC RESISTANCEcompiles mail-art, collages, assemblages, flyers, slides, video stills, ephemera, record and tape covers to present an arresting cross-section of the genre-sundering art Nigel Ayers created between 1980 and 1992. It features an introductory reflection from Ayers, as well as an essay entitled “Bleeding Images: Antipsychiatry, Death, and Mind Control” by art historian and critic Nicolas Ballet (Université Paris-1 Panthéon-Sorbonne), contextualizing Ayers’s work and extensive career.
ELECTRONIC RESISTANCEis 9.25" x 12.25", 160 pages, full color offset, quarterbound wrap hardcover. Printed by Edition One (Oakland, CA). Limited edition of 750 copies.
Published, designed, and produced by Ross Waitman and Amaya Productions in collaboration with the artist, ELECTRONIC RESISTANCE compiles mail-art, collages, assemblages, flyers, slides, video stills, ephemera, record and tape covers to present an arresting cross-section of the genre-sundering art Nigel Ayers created between 1980 and 1992. It features an introductory reflection from Ayers, as well as an essay entitled “Bleeding Images: Antipsychiatry, Death, and Mind Control” by art historian and critic Nicolas Ballet (Université Paris-1 Panthéon-Sorbonne), contextualizing Ayers’s work and extensive career.
ELECTRONIC RESISTANCEis 9.25" x 12.25", 160 pages, full color offset, quarterbound wrap hardcover. Printed by Edition One (Oakland, CA). Limited edition of 750 copies.
Credited as one of the pioneers of ‘harsh noise wall’; influential artist Sam McKinlay (b. 1974, CA)has been operating under the alias The Rita for over 25 years. Having performed extensivelyand credited with over 200 releases, the project has grown into a laser focused multidisciplinary venture and is celebrated for pushing the boundaries of ‘harsh noise’.
Accompanying The Rita’s singular and often unpredictable sonic output is an inseparable and distinct visual language. By combining McKinlay’s fine arts education, research, experimentation, and collaboration; the project visually and texturally unites the artist’s interests in minimalist design, noise, ballet, sharks, choreography, and film.
‘Correlations’ presents some of the images and documents McKinlay finds most definitive in his practice. The monograph is designed to provide a cohesive understanding of the artist’s creative trajectory, as well as illuminate The Rita’s uncanny process that visually, conceptually, and historically ‘connects’ seemingly unrelated subjects.
Published by Amaya Productions and curated by Andrea Stillacci; the monograph includes essays by the art historian and Centre Pompidou curatorNicolas Ballet (‘Shock Factory: The Visual Culture of Industrial Music’), associate Professor and harsh noise artist Lexi Turner (Cornell University), and author, writer, producer Kier-La Janisse (‘House of Psychotic Women’).
‘Correlations’is 9.5” x 12.25”, 200 pages, full color offset, edge painted ‘ballerina pink’, hardcover wrap with debossed cover text. Printed by Graphius (Gent, BELG).
